Ebook Venice, by Joanne M. Ferraro
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Venice, by Joanne M. Ferraro
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This book is a sweeping historical portrait of the floating city of Venice from its foundations to the present day. Joanne M. Ferraro considers Venice's unique construction within an amphibious environment and identifies the Asian, European and North African exchange networks that made it a vibrant and ethnically diverse Mediterranean cultural centre. Incorporating recent scholarly insights, the author discusses key themes related to the city's social, cultural, religious and environmental history, as well as its politics and economy. A refuge and a pilgrim stop; an international emporium and centre of manufacture; a mecca of spectacle, theatre, music, gambling and sexual experimentation; and an artistic and architectural marvel, Venice's allure springs eternal in every phase of the city's fascinating history.
- Sales Rank: #867664 in eBooks
- Published on: 2012-07-30
- Released on: 2012-11-23
- Format: Kindle eBook
Review
"Here is an essential book for all lovers of Venice. Dr. Ferraro writes not only with encyclopedic knowledge but with deep affection and understanding. She has taught me a lot." - John Julius Norwich, author of A History of Venice and Paradise of Cities: Venice in the 19th Century
"Summarizing recent research, Joanne Ferraro provides a masterful description of the social and cultural history of Venice, viewed here as a cosmopolitan world city, as well as the floating city of our dreams. It is the most reliable and comprehensive account of the 500-year history of Venice available for this generation of readers." - Edmund Burke III, University of California, Santa Cruz
"Joanne Ferraro's new book is the most illuminating synthetic history of Venice in two generations. She depicts a multicultural metropolis inhabited by international merchants as well as artisan heretics, rebel nuns, and feminist writers. Ferraro shows how real people rather than impersonal institutions and abstract forces made history." - Edward Muir, Northwestern University
"This is an innovative historical reconstruction of the floating city, with fresh perspectives informed by the most up-to-date scholarship. In lively and engaging prose, Ferraro recreates the rich and complex history of Venice before our eyes. Her history of the Venetian Republic will become the standard work for generations to come." - Margaret F. Rosenthal, University of Southern California
"Ferraro is a master storyteller with a rare ability to make everyday life in the lagoon city come alive, while capturing the magic of Venice within a richly textured historical context. Highly recommended reading for all students and lovers of Venice." - Patricia Fortini Brown, emeritus, Princeton University
"This is the best book written to date on the Venetian Republic...In the future, when people want to learn about Venice's history, they'll turn to this book first." -Library Journal
"rich and alluring account of the 'floating city.'" -Publishers Weekly
"Recommended." -Choice
"The great merit of Ferraro's history of Venice is her synthesis and incorporation of much of that material into what is essentially a history of the Republic." -Dennis Romano, Journal of Interdisciplinary History
About the Author
Joanne M. Ferraro is Professor and Chair of History at San Diego State University. She is the author of Family and Public Life in Brescia, 1580-1650: The Foundations of Power in the Venetian State (Cambridge, 1993); Marriage Wars in Late Renaissance Venice (2001), which was awarded best book from the Society for the Study of Early Modern Women and the Helen and Howard R. Marraro Prize in Italian History; and Nefarious Crimes, Contested Justice: Illicit Sex and Infanticide in the Republic of Venice, 1557-1789 (2008).
Most helpful customer reviews
7 of 7 people found the following review helpful.
The one home of liberty, peace and justice -- Petrarch 1364
By Aceto
All that time in Venice and no Gondolier ever told me the iron prow decoration is the doge's hat. And I never read that in 1633 it was decreed that all gondole be black to avoid garishness. In Venice, the crass and gaudy are against the law. But Joanne Ferraro tells me so in her formidable History of the Floating City for Cambridge University Press. It had never sunk in, so to speak, that the footpaths and bridges are generally perpendicular to the canals and lagoon docks. Some had to be, but they were a thoughtful design that signaled the times of hiding were over. Dr. Ferraro begins with in the best possible way, with Henry James' admonition that you learn Venice only by letting her touch you. Her rich history may touch you.
Dr. Ferraro is a fine scholar and writer, never academically deadened but always disciplined. So much work has been done on Venice, and she brings much of it into her four complementary themes of Venetian identity:
- An insular island people that become an extrovert power on the world stage
- The multiculturalism of material life, diverse customers and competing ideas
- The Social hierarchy that supported La Serenissima's face to the world
- Gender as cultural construction, repression and counterstrategy
Rather than being a work of narrow scholarship, Dr. Ferraro draws upon a vast array of topics to present a deeply four dimensional appreciation of Venice floating through time. It makes for informative but thoughtful and interesting reading.
Unlike most of the world, Venice had no need for walls. In the early times, they would only draw attention to this mosquito lagoon of places to hide. Later, they had the sea as a defensive barrier that also presented a boundless source of food in a hungry world. Lots of food made lots of money. Venice got good at vertical integration early on. Men to build fishing boats. Women to make the sails. People to catch, to process salt, to transport the fish up the rivers to ready markets. And soon an Arsenal (an Arabic word) to shield them all.
Venice was a gateway for the Crusades. Better to run the hospitality suite than to be the short lived point of a spear. Then as now, tens of thousands of strangers came through to camp and to spend. All came under her spell. If Italy was the best place to be in the middle ages, then Venice was the best place to be in Italy. The planners had visionary schemes come true. High and low lived together, not sequestered in designated areas to breed hate and contempt. Balance between these cozy neighborhoods and those grandly unifying common areas. The spectacular city without walls allowed advances in design off and on the water front. Opulence was as exterior as interior - all the more impressive to visitors, this original Oz. Shakespeare's Merchant of Venice was a natural because the Venetian colony in London was long infamous by his time. English and Dutch proved ambitious students.
The trade routes are nicely mapped, as is the rather more complex structure of government and administration. Dr. Ferraro usefully points out the work of other scholars as she treats their areas, rather than merely cataloging notes and bibliography, although she has fifty nifty pages of supplement. For example, as she discusses social structure, she points out to the curious reader that Stanley Chojnacki has detailed the intricate social strategies used for elite control and stability. Each chapter ends with a brief reading list.
There was more going on than just what the elite did to maintain. Between the ubiquitous wars and the crashing waves of plague, survival and prosperity clung to a resilience afforded by her attractiveness to errant talent and skill. Venice was the best place to work, to eat, to create.
I was a bit disappointed she did not go into the fascinating, vexing curse of vendetta which forever set clan against clan from the highest to the lowest. They imposed heavier punishment for knocking somebody's hat off than for sticking them with a knife, such was the import of insult. Well, you have seen their hats, haven't you? But she makes up for it in her treatment of Carnival as ritualized violence, and of the nobility's remarkable tolerance of mocking satire. The book is so well indexed that you may enjoy it just by picking it up now and then to snack on any topic.
I am pleased to see that Cambridge has improved their book binding for the American Editions. Heavy paper stock, fine color plates and a proper binding form a welcome platform that brings La Serenissima into spectacular focus.
3 of 3 people found the following review helpful.
Solid Synthesis
By Jim Miller
This is a really nice piece of synthesis that permits the reader to understand both the make up of the empire and the "state of the question" as historians explore the wider meanings of the Venetian state. A number of the reviews published here seem to misunderstand what the author is up to or to engage in a sort of sexist put down of her work because she is interested in social history and particularly in women's issues. Actually by exploring these areas she permits the reader to get a wider view of the entire structure of the state and society. History is built and improved by widening the scope of research topics and the having someone come along and tie together the threads of older and new research which is exactly what the author does. And she writes pretty well. Some of the reviews were very short sighted. They took the Mitt Romney and his "folders of women" approach to history.
5 of 6 people found the following review helpful.
A Luminous Social and Cultural History of Wondrous Venice
By Grady Harp
VENICE: HISTORY OF THE FLOATING CITY by Joanne M. Ferraro takes up where many pure history book leave off - this is a book more about the glories of the flavors of Venice than solely the chronological history of this magical city, although in Ferraro's hands all of that information is supplied in easy to trace lists of chronology of historical events well organized and easily readable.
But the crux of Ferraro's book is her dividing the book into four themes: 1) the construction and evolution of identities - exploring in terms of Venetian insularity and new encounters created by networks of trade and immigration 2) the multiculturalism of material life - portraying medieval and early modern Venice as a mirror of the Mediterranean world where Hebrew, Spanish, Ottoman, Turkish, Portuguese, Greek, German and Italian dialects including Venetian! 3) social hierarchy - social and political cohesion and supported the aristocratic state's myth of enduring stability despite class distinction and the overall power of the Catholic Church in literature housing, dress, and performance and 4) gender as a cultural construction - the strange dichotomy between men and women as displayed in the law, in relationships, and in cultural attitudes.
In highly sophisticated writing the author includes illustrations in both black and white images and color photographs of pertinent structure and their places in the development of Venice's history. The writing is academic and therefore a bit dry, but it is thorough and for lovers of Venice, Ferraro's manner of writing rapidly explains the idiosyncrasies of this great city. This not meant to be a stand alone book: the author so states early on in the text. But for those who are curious about the aspects of Venice the author addresses, this is a solid volume and one that belongs in every library. Grady Harp, November 12
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