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The Haunted House, by Charles Dickens
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Revered as one of the greatest writers in the English language, Charles Dickens is celebrated for his masterful storytelling, comic genius, and remarkably memorable characters. His early novels, such as The Pickwick Papers and The Adventures of Oliver Twist, were originally published in monthly installments, capturing a growing audience that quickly spread from England to America.
Two centuries later, his popularity endures as readers revel in the warm humanity of his tales of self-discovery—and delight in the annual tradition of revisiting his holiday stories.Following the tremendous success of A Christmas Carol in 1843, there was great demand for more tales of ghostly visitation, and the great Victorian storyteller happily obliged with spellbinding tales such as The Haunted House. The drama begins with a Yuletide gathering in an eerie country retreat that's rumored to be haunted. There, Dickens and his friends, including acclaimed authors Elizabeth Gaskell and Wilkie Collins, take on the task of finding evidence of a supernatural presence in the house. When they reconvene at a Twelfth Night feast to review their findings, what will their stories reveal?
- Sales Rank: #2192051 in eBooks
- Published on: 2013-01-15
- Released on: 2013-01-15
- Format: Kindle eBook
Review
'The Haunted House is of the utmost significance for anyone interested in exploring the genius of Charles Dickens' Peter Ackroyd
From the Publisher
Hesperus Press, as suggested by their Latin motto, Et remotissima prope, is dedicated to bringing near what is far—far both in space and time. Works by illustrious authors, often unjustly neglected or simply little known in the English–speaking world, are made accessible through a completely fresh editorial approach or new translations. Through these short classic works, which feature forewords by leading contemporary authors, the modern reader will be introduced to the greatest writers of Europe and America. An elegantly designed series of exceptional books.
From the Inside Flap
On Christmas Eve, a party of friends descends on a purportedly haunted country retreat, charged with the task of discovering evidence of the supernatural. Sequestered in their rooms for the holiday, the friends reconvene on Twelfth Night at a great feast and share their stories of spectral encounter. "Conducted" by Charles Dickens and counting Elizabeth Gaskell and Wilkie Collins among its contributors, "The Haunted House examines quintessentially Victorian themes-sex and longing, nostalgia and loss-in ways that continue to resonate today. Ingeniously conceived and written, and spiked with flashes of Dickensian humor, this volume is a strange and sheer delight.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Pleasant Surprise
By Jennifer Turner
This book was an unexpected delight. I had never even heard of it before when I found it in a bookshop in London. It sounded rather interesting, and I was intrigued by the collaboration of Elizabeth Gaskell and Wilkie Collins (along with a few others) with Charles Dickens. On first glance, I thought it was simply a collection of short stories, but I was surprised to discover how they all worked together. It appears to be a sort of creative experiment, and for me at least, I found that it works.
I began reading this just before Halloween, thinking it an appropriate time, but it may have been more appropriate around Christmas because the story is very much connected with that holiday. I was expecting something Gothic in nature, based on the tittle, but what I received was even more pleasurable and I can't wait to share it with others. It is not really a scary story, but rather an enjoyable and interesting exploration of the creative mind.
2 of 2 people found the following review helpful.
More premise than promise
By Deb Atwood, author of Moonlight Dancer
The Haunted House is an anthology of connected stories, three of which Charles Dickens wrote, the others penned by writers of his time. The premise is that the narrator, for reasons of health (have you noticed how prominent discussions of health are in Victorian literature?) rents a country house for three months with his sister. They fall in love with the house and decide to invite their friends to stay with them. Because the house is reputedly haunted, the guests decide that on their last night together, which occurs during the Christmas season, they should tell the ghost stories of their various rooms. For instance, Wilkie Collins's chapter is called "The Ghost in the Cupboard Room," and Charles Dickens's chapter is "The Ghost in the Corner Room."
I decided to try this book because I'm a fan of Elizabeth Gaskell and wanted to sample her ghost fiction. I love her novels North and South and Cranford. I also love the story of Mary Barton, which I read in college. However, I recently tried to re-read Mary Barton and just could not manage the dialect she used for her working class characters. Pages of phonetic spelling filled with apostrophes stopped me in my tracks, and I haven't been back to the wonderful story of Mary Barton. Unfortunately, Gaskell's story in The Haunted House, "The Ghost in the Garden Room," follows the same pattern of phonetic dialectal spelling, no doubt intended to enrich the reader with an authentic experience. For the modern reader, the opposite happens. We fall out of the story, mired in nearly incomprehensible dialogue. Here's an example: "He'll...be 'a for settling in a quiet town life, wi' a wife that's noan so fur fra' me at this very minute. An' we oud folk, as we get into years, must gi' up farm" (96).
It fair give me a headache, if ye follers me meanin', which is unfortunate as "The Ghost in the Garden Room" did a nice job of setting a melancholy atmosphere in a prodigal son narrative.
I really liked the premise of the story--friends gathered round a fire telling stories feels almost Chaucerian. What a fun tradition among authors! Even Mary Shelley's Frankenstein was created under the auspices of a friendly supernatural challenge. Henry James's The Turn of the Screw and Susan Hill's The Woman in Black also open with Victorian fireside entertainment.
Victorian Christmas roomIn addition to the set-up, I also enjoyed encountering new Victorian authors such as Hesba Stretton (whom I'd never heard of) but whose debut novel outsold Alice in Wonderland tenfold. Stretton awakened the Victorian sensibility to the plight of homeless children and started the movement of the Victorian orphan quest novel. I love orphan quest novels (A Little Princess, anyone?), so that alone impressed me. Moreover, Stretton co-founded the London Society for the Prevention of Cruelty to Children. Her story, "The Ghost in the Clock Room," was one of my favorites and...you guessed it...featured an orphan.
Although many of the chapters were interesting, The Haunted House didn't live up to its potential. The stories didn't seem to be ghost stories, nor, with the exception of Wilkie Collins's tale "The Ghost in the Cupboard Room," did they seem to have anything to do with the rooms of their occupants.
2 of 2 people found the following review helpful.
The title isn't precisely false advertising, but it's darn close
By Jennifer Grey
My problem with The Haunted House is based entirely on my expectations, which I based on the jacket description promising "an ingenious, multi-authored tale of the supernatural." Dickens, acting as ringmaster for a host of his literati friends, does in fact provide a brilliant conceit wherein the narrator becomes taken with a haunted house and decides to shack up there with a house party and have each guest expose, room by room, the supernatural shenanigans within. However, by the end of the second narrative it's become clear that the only hauntings here are emotional ones, and each author goes on to recount a tale of emotional trauma.
Now, there's still good work here - particularly that done by Dickens and his best bud/bete noir Wilkie Collins - but if you came to this, as I did, looking for a set of nicely restrained yet utterly creepy 19th century ghost stories you will be (as I was) completely out of luck.
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