PDF Download Mean Little Deaf Queer: A Memoir, by Terry Galloway
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Mean Little Deaf Queer: A Memoir, by Terry Galloway
PDF Download Mean Little Deaf Queer: A Memoir, by Terry Galloway
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In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.
- Sales Rank: #104889 in Audible
- Published on: 2012-11-01
- Format: Unabridged
- Original language: English
- Running time: 497 minutes
Most helpful customer reviews
10 of 10 people found the following review helpful.
Moving, real, funny - wonderful
By E. Daley
I loved this book, because it made me laugh and made me cry. It caught me in the throat more than once, as it fully and articulately revealed the challenges of disability and of becoming oneself. Galloway writes with such wit and intelligence and honesty. The prose carries you along and then surprises again and again. It is wonderful. Galloway says stories were the currency of her family. The richness of her own storytelling is evidence that she has indeed prospered from that legacy. Although many chapters stand out in my mind, the final one has lodged itself inside my heart.
7 of 7 people found the following review helpful.
Powerful, funny memoir takes a unique personal story and makes it universal
By Michael Godwin
Mean Little deaf Queer is remarkable -- this memoir transmutes Terry Galloway's unique, quirky, anguished, sometimes goofy but nevertheless powerful individual narrative into a larger exploration of the way we tell stories to ourselves and to others in order to construct our places in the world.
Terry as a child experienced moments when she was transported out of her body -- later, she engaged in an elaborate exploration of how to transport herself back into her body, to live in the world as the person she was. At the same time, in theater, she was transported again by the powers of drama and comedy. (There is a passage about performance of Shakespeare in a barn in Texas that magnificently captures such a moment.) The reader will be transported as well.
A word about the prose: Many people who are familiar with Galloway's work in theater, even work that she herself has authored or co-authored, think of her primarily as a performer. Here you get to experience her as a pure writer, finding another channel through which to link her life and wisdom to ours. Her writing is itself a performance -- a high-wire act in which the challenge is not to fall into self-absorbed sentiment on the one side or the glib, easy laugh on the other. Galloway meets that challenge and exceeds it in a way that, again and again, will take your breath away. Her writing is lyrical, precise, and relentlessly expressive.
I've known Terry for about 30 years, so this isn't an objective review. But it is a fair one, because I wouldn't praise a book -- even a friend's book -- unless I thought it deserved praise. Mean Little deaf Queer deserves very high praise indeed.
3 of 3 people found the following review helpful.
Half good, half okay...but very real, regardless
By jmz
I really liked the first half of Terry Galloway's Mean Little deaf Queer, but I found the 2nd half of the book fairly rambling and tedious to get through. I think Ms. Galloway has a ton of great stories to tell, and those that she does tell in full description are funny (not so much laugh out loud funny, perhaps more bemusing) and interesting and really catch the reader's attention. When she goes on her tangents after starting a story and bounces around, it can be somewhat hard to figure out if she's remembering the past or switching her main story or what the heck is going on. I almost felt like the bulk of this memoir was an outline for her to go back and expand upon. I would love to read more stories about her youth and her family as well as her theatre days and all her relationships (tortured and not).
I never felt this was a "pity me" memoir but more, this is how it was, this is my life, this happened, so deal with it. Her honesty with the lowest points in her life and very refreshing insomuch that she didn't wallow in the low points as much as state that they happened.
Overall, I would recommend this book to anyone who is interested in reading about someone's life that is definitely "alternative" (a term she uses a lot). It's not for the faint of heart or the prissy, so if those who get their sensibilities all bent out sort because of the smallest thing probably should pass this book by.
I hope Ms. Galloway writes more and centers her writing on specifics of her life instead of trying to encompass so much in so little space.
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